15,887 Royalty-Free Audio Tracks for "Wet Sounds"

Painting face, camoufage.

Randomly moving a wet brush on a piece of paper.

A hand slapping glass.

A hand slapping glass.

A big splash of someone or something falling in the water.

Car passes on wet street.

Squishy footsteps in wet mud, outside noisy.

Recorded with tascam dr-100 mkiii.

Walking concrete shuffling.

Sound of splashing water in bottle turned to dog shaking it off.

Heavy impact effect with resonating mid and high frequencies. This sample employs the full range of frequencies and uses multi-band stereo imaging effects.

Walking on wet gravel.

Squishy footsteps to walking in a puddle.

Walking through water and wet slushy snow.

Oh! How I Hate to Get Up in the Morning, a song by Irving Berlin produced on U.S. Army time for the Army benefit show, Yip Yip Yaphank (1918). I believe the version used in the show used the opening verse from the Irving Kaufman recording; the opening verse here was probably made for publication. This is Edison Blue Amberol #3639, which was created using Edison Diamond Disc matrix #6287.

O Souverain, O Juge, O Pere! from Jules Massenet's Le Cid (1885) sung by Enrico Caruso on 5 February 1916 for the Victor Talking Machine Company.

A recording i made inside a very wet welsh slate mine.

A small splish.

Little wet fartie.

Chew.

Stirring some chili gets very amusing when you have a brain like mine ;).

Day 1 we recorded squishing sounds that work as a sweetener for stabs, guts, etc. Go behind the scenes to see how these sounds are made:https://www. Youtube. Com/playlist?list=pl7didnj1zxm69hc19mwme4cq-srwriinh. Tune in daily (from oct. 26th-31st) to our channel to go behind the scenes and learn how to create some spooky sound effects in time for halloween!. Follow us:https://twitter. Com/soularitysoundhttps://www. Instagram. Com/soularitysound/https://www. Facebook. Com/soularitysound/. Find us on the web:http://www. Soularitysound. Com.

Enrico Caruso and Nellie Melba singing the duet "O soave fanciulla" from Giacomo Puccini's 1896 opera La bohème. It was recorded in New York on 24 March 1907 (Victor C4326 95200) – http://victor.library.ucsb.edu/matrixDetail.php?id=200006039

w:Arthur Sullivan's w:Overture di Ballo, Overtures (1991, track 7)

This 1920 record is the first commercial recording of blues music by an African-American singer: "Crazy Blues" was composed by Perry Bradford for Mamie Smith in 1920, and sold a million copies in its first year.This is Okeh-4169 (7529 take C) Эрзянь: This 1920 record is the first commercial recording of blues music by an African-American singer: "Crazy Blues" was composed by Perry Bradford for Mamie Smith, and sold a million copies in its first year. Crazy Blues – blues w wykonaniu Mamie Smith z 1920 roku.

Damp clothing being peeled away from the skin. Created by using white school glue left to go tacky on a cotton pad before being pressed on and pulled slowly off the skin.

Repeated wet popping sound from very close-up, gasp edited out. Who knows what it's good for. Audacity of course.

A nice wet-themed ambiance of early spring in a small midwestern town in the us. The spring peepers dominate, always in the background. The american toads trill off and on (:38----1:04, 2:09-----2:31, 5:50----6:07, 6:25----6:40)there is also a distant dog bark, with echo at 3:31. Distant car horn at 3:57. Since this was recorded on a busy weeknight at 7pm, a lot of distant car doors and people picking up and dropping off kiddos for basketball practice, choir practice and other ancient extracurricular activities. There is a particularly good door open and slam and muted conversations at 6:43 to 6:56 and again at 7:17stereo recording made on thursday night march 29th, 2018 using a sound devices 702 and an audiotechnica bp4025 stereo microphone. The original was recorded at the very high sample rate of 196hz. Enjoy a town winding down and internalizing on a cold, drippy wet night in either very late winter, or very early spring.

Stirring up something with a wooden spoon and decided it was gross enough to record. I tried to keep the stirring sounds out and just have the wetness, but easier said than done.

God Defend New Zealand, the national anthem of New Zealand.

Al Jolson's recording of George Gershwin's "Swanee". Composed in 1919, Al Jolson recorded for Columbia Records in January 1920, and it became a runaway hit

Piano Roll recording of Scott Joplin playing "Maple Leaf Rag" in 1916. Midi conversion by PlayerRoll, and found at: http://www.pianola.co.nz. Re-recorded as audio by Major Bloodnok using Cubase. The original Piano Roll had been scanned and converted to a MIDI file by PlayerRoll, but the work remains in the public domain. This is one of a number of rare recordings by Joplin. It also demonstrates the deterioration of his health, specifically its impact on his piano playing. Original UniRecord, 1916. Maple Leaf Rag published 1899. Українська: Скотт Джоплін грає композицію реґтайму «Maple Leaf Rag» у 1916 році.